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Asinou across Time

asinou-across-timeAsinou across Time (Dumbarton Oaks Studies)
Annemarie Weyl Carr (Author), Andréas Nicolaïdès (Author), Gilles Grivaud (Author), Ioanna Kakoulli (Author), Sophia Kalopissi-verti (Author)
Hardcover: 416 pages
Publisher: Harvard University Press (21 May 2013)
Language: English
ISBN-10: 0884023494
ISBN-13: 978-0884023494

The church of Asinou is among the most famous in Cyprus. Built around 1100, the edifice, now a UNESCO World Heritage Site, is decorated with accretions of images, from the famous fresco cycle executed shortly after initial construction to those made in the early seventeenth century. During this period the church served the adjacent monastery of the Mother of God ton Phorbion (“of the vetches”), and was subject to Byzantine, Lusignan (1191–1474), Venetian (1474–1570), and Ottoman rule. This monograph is the first on one of Cyprus’s major diachronically painted churches. Written by an international team of renowned scholars, the book sets the accumulating phases of Asinou’s art and architecture in the context of the changing fortunes of the valley, of Cyprus, and of the eastern Mediterranean. Chapters include the first continuous history of the church and its immediate setting; a thorough analysis of its architecture; editions, translations, and commentary on the poetic inscriptions; art-historical studies of the post-1105/6 images in the narthex and nave; a detailed comparative analysis of the physical and chemical properties of the frescoes; and a diachronic table of paleographical forms.

SOURCE: Dumbarton Oaks

Law and Disputing in the Middle Ages

law-and-disputingLaw and Disputing in the Middle Ages: Proceedings of the Ninth Carlsberg Academy Conference on Medieval Legal History 2012 
Per Andersen (Author, Editor), Kirsi Salonen (Editor), Moller Sigh Helle (Editor)
Paperback: 200 pages
Publisher: DJOF Publishing (22 May 2013)
Language: English
ISBN-10: 8757426813
ISBN-13: 978-8757426816

 

Content:

List of Figures and Photography Credits

Introduction – af Per Andersen, Kirsi Salonen, Helle Møller Sigh og Helle Vogt

Legal Satire on the Bayeux Embroidery – af Stephen D. White

‘Disputing the Dead’ – Litigation over Sepultura in the Diocese of Limoges in the Early 12th-Century – af Bruce C. Brasington

The Crime of Dilapidation in the Church from Latter Half of the 12th-Century to the Beginning of the 13th-Century – af Bruno Lemesle

Bad Customs and Good Lordship – Disputing in Anjou, C. 987-C. 1150 – af Matthew W. McHaffie

Kin Conflict in 11th and Early 12th-Century Normandy – af Kate Hammond

The Law of Maintenance and the Obligations of Lordship – A Case Study – af Jonathan Rose

The Role of Arbitration in the Settlement of Disputes in Iceland C. 1000-1300 – af Jón Viðar Sigurðsson

Disputes and How to Avoid Them – Custom and Charters in England During the Long 12th-Century – af Paul Hyams

Dispute, Procedure and Sanction – Some Remarks on Dispute Settlement in Swedish Medieval Laws – af Pia Letto-Vanamo

The Use of Mediation and Arbitration in the Legal Revolution of 13th-Century Denmark – af Per Andersen

The Appellate Jurisdiction, the Emperor and the City – Republics in Early 13th-Century Northern Italy – af Gianluca Raccagni

The Practice of Legal Consulting and the Policy of Law in Late Medieval Dalmatia – af Nella Lonza

Interdict, Conflict Resolution and the Competition for Power in the Episcopal Seigneuries of Laon and Reims (C. 1100) – af Frederik Keygnaert

Competing Institutions and Dispute Settlement in Medieval England – af Joshua C. Tate

Church, State and Family in John Calvin’s Geneva – Domestic Disputes and Sex Crimes in Geneva’s Consistory and Council – af John Witte, Jr.

Litigating Abroad – Merchant’s Expectations Regarding Procedure Before Foreign Courts According to the Hanseatic Privileges (12TH-16TH C.) – af Albrecht Cordes

SOURCE:

Djøf Forlag

The Medieval Mystical Tradition in England

the-medieval-mystical-tradition-in-englandThe Medieval Mystical Tradition in England: Papers read at Charney Manor, July 2011 (Exeter Symposium 8)
E.A. Jones (Editor)
Hardcover: 226 pages
Publisher: D.S.Brewer (16 May 2013)
Language: English
ISBN-10: 1843843404
ISBN-13: 978-1843843405

Mystical writing flourished between the thirteenth and fifteenth centuries across Europe and in England, and had a wide influence on religion and spirituality. This volume examines a range of topics within the field. The five “Middle English Mystics” (Richard Rolle, Walter Hilton, the author of The Cloud of Unknowing, Julian of Norwich and Margery Kempe) receive renewed attention, with significant new insights generated by fresh theoretical approaches. In addition, there are studies of the relationships between continental and English mystical authors, introductions to some less well-known writers in the tradition (such as the Monk of Farne), and explorations around the fringes of the mystical canon, including Middle English translations of Boethius, Lollard spirituality, and the Syon brother Richard Whytford’s writings for a sixteenth-century “mixed life” audience.

E. A. Jones is Senior Lecturer in English Medieval Literature and Culture at the University of Exeter. Contributors: Christine Cooper-Rompato, Vincent Gillespie, C. Annette Grisé, Ian Johnson, Sarah Macmillan, Liz Herbert McAvoy, Nicole R. Rice, Maggie Ross, Steven Rozenski Jr, David Russell, Michael G. Sargent, Christiana Whitehead.

Contents

1 Introduction

2 The Colours of Contemplation: Less Light on Julian of Norwich

3 Behold Not the Cloud of Experience

4 Walter Hilton on the Gift of Interpretation of Scripture

5 Numeracy and Number in The Book of Margery Kempe

6 Religious Mystical Mothers: Margery Kempe and Caterina Benincasa

7 Authority and Exemplarity in Henry Suso and Richard Rolle

8 Mortifying the Mind: Asceticism, Mysticism and Oxford, Bodleian Library, MS Douce 114

9 The Meditaciones of the Monk of Farne

10 Envisioning Reform: A Revelation Of Purgatory and Anchoritic Compassioun in the Later Middle Ages

11 Walton’s Heavenly Boece and the Devout Translation of Transcendence: O Qui Perpetua Pietised

12 Reformist Devotional Reading: The Pore Caitif in British Library, MS Harley 2322

13 Richard Whytford, The Golden Epistle, and the Mixed Life Audience

Sea Monsters on Medieval and Renaissance Maps

sea-monsters-and-mapsSea Monsters on Medieval and Renaissance Maps
Chet van Duzer
Hardcover: 144 pages
Publisher: The British Library Publishing Division (10 May 2013)
Language: English
ISBN-10: 0712358900
ISBN-13: 978-0712358903

From dragons and serpents to many-armed beasts that preyed on ships and sailors alike, sea monsters have terrified mariners across all ages and cultures and have become the subject of many tall tales from the sea. Accounts of these creatures have also inspired cartographers and mapmakers, many of whom began decorating their maps with them to indicate unexplored areas or areas about which little was known. Whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, the sea monsters that appear on medieval and Renaissance maps are fascinating and visually engaging. Yet despite their appeal, these monsters have never received the scholarly attention that they deserve. In Sea Monsters on Medieval and Renaissance Maps, Chet Van Duzer analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe. Van Duzer begins with the earliest mappaemundi on which these monsters appear in the tenth century and continues to the end of the sixteenth century and, along the way, sheds important light on the sources, influences, and methods of the cartographers who drew or painted them.

A beautifully designed visual reference work, Sea Monsters on Medieval and Renaissance Maps will be important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the “marvelous” and of Western conceptions of the ocean.

Content:

 

Acknowledgements

Introduction

 

Classical Antecedents

The Earliest Medieval Maps with Sea Monsters: Beatus Mappaemundi

“Let the Waters Bring Forth Abundantly”: Sea Monsters in the Creation

Sea Monsters in the Harbor of Brindisi

An Imagined Mappamundi with Sea Monsters

Sea Monsters on the Ceiling

Giant Sea Monsters on Two Small Mappaemundi

“A Vast Sea Where There is Nothing But the Abode of Monsters”

Two Monumental Mappaemundi with Few Sea Monsters

Three Sea Monsters Battling in the Atlantic

Pictorial Excursus: The Dangers of Sea Monsters

Sea Monsters on Nautical Charts: Giant Octopuses, Sirens, Sharks

How to Buy a Sea Monster

Whaling Between Myth and Reality

A Nest of Sea Monsters at the Bottom of the World

Whales as Big as Mountains

Terrifying Monsters in the Indian Ocean

A Skeptic about Sea Monsters: Fra Mauro

Pictorial Excursus: Whimsical Sea Monsters

Invented Sea Monsters in the Circumfluent Ocean

The Manuscript with the Most Sea Monsters

Sea Monsters in Printed Editions of Ptolemy

The Sea Monsters of the Earliest Surviving Terrestrial Globe

The Sea Monsters of Waldseemüller’s Map of 1507 and Schöner’s Globe of 1515

Lighting a Fire on a Whale’s Back

Pictorial Excursus: The Cartographic Career of the Walrus

 

The Debut of the Sea Monsters of the Renaissance

Olaus Magnus and the Most Important Sea Monsters of the Sixteenth Century

Mercator’s Globe of 1541: The Influence of Olaus Magnus

The Ulpius Globe: Sea Monsters Before Their Time

The Monster that Stops Ships in Their Tracks

Pictorial Excursus: More Whimsical Sea Monsters

From Sea Dragons to a Sawfish: The Rylands Library Map of 1546

Evidence of a Sea Monster Specialist

The Curious Career of the Flying Turtle

The Eclecticism of Giacomo Gastaldi

The Sea Monsters of Gerard Mercator’s Great Map of 1569

Sea Monsters Cavorting Among the Mediterranean Isles

The Sea Monsters Surrounding Iceland in the First Atlas

A Haunting Sea Monster Reappears

Whales Fantastic and Realistic at the End of the Sixteenth Century

Two New World Sea Monsters

Conclusion

Endnotes

Index

Index of Manuscripts

Empires of Faith: The Fall of Rome to the Rise of Islam 500-700

empires of faithEmpires of Faith: The Fall of Rome to the Rise of Islam, 500-700 (Oxford History of Medieval Europe)
Peter Sarris
Paperback: 448 pages
Publisher: OUP Oxford 2013 (2011)
Language: English
ISBN-10: 019967535X
ISBN-13: 978-0199675357

Empires of Faith

  • Is an unusually wide-ranging study which integrates medieval, Byzantine, and Islamic history
  • Draws on latest scholarship to form an up-to-date study of the era
  • Includes an extensive bibliography to provide a framework for future study

Drawing upon the latest historical and archaeological research, Dr Peter Sarris provides a panoramic account of the history of Europe, the Mediterranean, and the Near East from the fall of Rome to the rise of Islam. The formation of a new social and economic order in western Europe in the fifth, sixth, and seventh centuries, and the ascendancy across the West of a new culture of military lordship, are placed firmly in the context of on-going connections and influence radiating outwards from the surviving Eastern Roman Empire, ruled from the great imperial capital of Constantinople. The East Roman (or ‘Byzantine’) Emperor Justinian’s attempts to revive imperial fortunes, restore the empire’s power in the West, and face down Constantinople’s great superpower rival, the Sasanian Empire of Persia, are charted, as too are the ways in which the escalating warfare between Rome and Persia paved the way for the development of new concepts of ‘holy war’, the emergence of Islam, and the Arab conquests of the Near East. Processes of religious and cultural change are explained through examination of social, economic, and military upheavals, and the formation of early medieval European society is placed in a broader context of changes that swept across the world of Eurasia from Manchuria to the Rhine.

Warfare and plague, holy men and kings, emperors, shahs, caliphs, and peasants all play their part in a compelling narrative suited to specialist, student, and general readership alike.

Readership: Scholars and students of early medieval Europe; the interested reader

Read more about the Research Project here

A Dictionary of Medieval Terms and Phrases

A Dictionary of Medieval Terms and PhrasesA Dictionary of medieval Terms and phrases
Christopher Corèdon, Ann Williams,
Paperback: 320 pages
Publisher: D.S.Brewer 2013 (2006)
Language: English
ISBN-10: 184384138X
ISBN-13: 978-1843841388

An interest in the middle ages often brings the non-specialist reader up short against a word or term which is not understood or only imperfectly understood. This dictionary is intended to put an end to all that: it has been designed to be of real help to general readers and specialists alike.

The dictionary contains some 3,400 terms as headwords, ranging from the legal and ecclesiastic to the more prosaic words of daily life. Latin was the language of the church, law and government, and many Latin terms illustrated here are frequently found in modern books of history of the period; similarly, the precise meaning of Old English and Middle English terms may elude today’s reader: this dictionary endeavours to provide clarity. In addition to definition, etymologies of many words are given, in the belief that knowing the origin and evolution of a word gives a better understanding. There are also examples of medieval terms and phrases still in use today, a further aid to clarifying meaning.

CHRISTOPHER COREDON has also compiled the Dictionary of Cybernyms. Dr ANN WILLIAMS, historical consultant on the project, was until her retirement Senior Lecturer in medieval history at the Polytechnic of North London.

Shoes and Pattens – Finds from Medieval Excavations in London

shoes and pattensShoes and Pattens: Finds from Medieval Excavations in London (Medieval Finds from Excavations in London)
Francis Grew, Margrethe de Neergaard, Susan Mitford
Boydell & Brewer Press 2013 (2006)
ISBN-10: 1843832380
ISBN-13: 978-1843832386

Until recently, very little was known about medieval shoes. Glimpses in manuscript illustrations and on funerary monuments, with the occasional reference by a contemporary writer, was all that the costume historian had as evidence, not least because leather tends to perish after prolonged contact with air, and very few actual examples survived. In recent years, however, nearly 2,000 shoes, many complete and in near-perfect condition, have been discovered preserved on the north bank of the Thames, and are now housed in the Museum of London. This collection, all from well-dated archaeological contexts, fills this vast gap in knowledge, making it possible to chart precisely the progress of shoe fashion between the twelfth and fifteenth centuries.

Bohemian Crown of Saint Wenceslas

Currently on show in Prague for only ten days, the Bohemian crown was made for the coronation of Charles IV in 1347

The Bohemian crown – the so-called Crown of Saint Wenceslas – has a somewhat curious form due to the setting of the jewels. It consists of a golden headband with a diameter app. 19 – 20 cm and 4.8 cm wide, and divided into four pieces. Each of these pieces is adorned with a curious fleur-de-lis composition, which rises up from the headband. All in all they each measure 12 cm in the height. Fixed to these are four arches in the form of bejewelled bands ending in a hollow cross at the apex, presumably filled with a relic, a thorn from the Crown of Thorns, which was presented to the Queen Elisabeth in 1326 by the French King.

Crown of wenceslas -Správa Pražského hradu

However, the jewels adorning the crown are the most spectacular part. At the front is an uncut sapphire weighing more than 40 carat. Around it are placed six spinels. Together the ensemble looks like a cross. Corresponding jewels are found on the other four sites. Originally it was adorned with only red and blue jewels. However Charles IV kept elaborating on the design, probably reusing a belt, which was presented to his Queen, Blanche, from her brother, the king of France. In its present – imperial – form it was finished in 1374 – 1378 and carries 19 sapphires, 44 spinels, 1 ruby, 30 emeralds and 20 pearls. Apart from the six magnificent sapphires (belonging to the group of the ten largest in the world), the cross at the apex of the crown holds a small but beautiful cameo with a rendering of the crucifixion. Probably this Byzantine cameo was part of an earlier Bohemian crown – the crown of Ottokar II – which it was definitely designed to emulate. All in all it weighs app. 2.5 kilo. The curious look stems from the way in which the jewels have been set on small protruding postaments. With a background of solid gold the jewels are stopped from being enlightened, which gives the viewer a less than ephemeral experience. On the other hand the massive ostentatious character as seen from afar must have been impressive.

The crown was made to serve two purposes. One was to be used as the crown of the residing king and his dynasty at coronations or other likeminded occasions. If used as such it was to be returned the same day to its regular place of keeping in the Cathedral of St. Vitus, where another purpose was to serve as a reliquary for the thorn, to be kept in the new chapel of Saint Wenceslas (907 -935), which Charles IV had built in the Cathedral of St. Vitus as a parallel to the Sainte-Chapelle in Paris. As such the crown was supposed to be placed on the head of a bust in which the skull of the saint was kept, literally crowning him with a thorn from the Crown of Thorns. In connection with this, the king composed a liturgy for a special annual feast, which was supposed to culminate in showing off the imperial treasury in the centre of Prague, including the crown, thus advertising the protection of the saint of the land, the dynasty and the city of Prague.

from the opening of the chapel of wenceslas

Apart from the Crown of Saint Wenceslas, The Bohemian Crown Jewels, include a royal orb and sceptre from the beginning of the 16th century, the coronation vestments of the kings of Bohemia, a gold reliquary cross, and St. Wenceslas’ sword with a blade from the 10th century.

A curious ritual
The ancient Bohemian Royal Insignia are kept under lock in the cathedral of St. Vitus by seven Czech dignitaries – the President of the Republic, the Prime Minister, the Prague Archbishop, the Chairman of the House of Deputies, the Chairman of the Senate, the Dean of the Metropolitan Chapter of St. Vitus Cathedral and the Mayor of Prague. According to a tradition from the 18th century all must convene in order to facilitate the opening up of the impenetrable door into the crown chamber found in the chapel of St. Wenceslaus in the St. Vitus Cathedral at Prague Castle. Here the crown has been kept since 1867 apart from short periods, when it was walled away in 1945 or on show.

This happens very seldom. In the course of the twentieth century the coronation jewels have only been exhibited eight-times – in 1929, 1945, 1955, 1958, 1968, 1975, 1978 and 1993. The show this year is occasioned by the election of a new president, Miloš Zeman, but will last only for ten days.  Further it is only about 5000 people, who are allowed into the hallowed hall every day, which means that no more than 50.000 will have the opportunity to see the crown jewels before they are locked away again for at least five years.

To say it mildly, this is a curious ritual in a modern secularised state, where the population by far is one of the most atheist in Europe. According to a Eurobarometer Poll from 2005 nearly a third of the Czechs do not believe believe in any kind of spirit, God or life force. Of the rest only 19% believe in God or consider themselves religious. These results were confirmed by a Gallup Poll in 2012. Sociologists might consider the unveiling and exhibiting of the crown jewels in Prague a kind of civil religion. However, the interplay between the elected politicians and the Catholic dignitaries holding the keys to royal insignia witness to a nation with a slightly muddled identity. Elsewhere in the 21st century such national treasures are continuously exhibited to the delight of art historians and cultural tourists be it in Royal Collections or treasuries of Cathedrals…

About the exhibition at the official website of the Castle of Prague

see a video from the opening of the door in the Chapel of St. Wenceslas

See a photo gallery of the Crown of Wenceslas here

 

READ MORE:

The Czech Coronation Jewels. 
Unknown History – Hidden Messages – Long-lost Symbols
By Jan and Thomas Bonek.
Eminent 2005

ISBN: 978-80-7281-221-9
Autobiography of Charles IV of Luxemburg, Holy Roman Emperor and King of Bohemia (Central European Mediaeval Texts)
Edited and translated by Balazs Nagy, Paul W. Knoll and Frank Schaer
Publisher: Central European University Press 1999
ISBN-10: 9639116327
ISBN-13: 978-9639116320

Die Sankt Wenzelskrone im Prager Domschatz und die Frage der Kunstauffassung am Hofe Kaiser Karls IV.
By Karel Otavsky
European University Studies. Series XXVIII, History of art.
Peter Lang 1993
ISBN-10: 3261045167
ISBN-13: 978-3261045164

In Heaven and on Earth: Church Treasure in Late Medieval Bohemia
By Katerina Hornícková
Thesis submitted to Central European University
Department of Medieval Studies, Budapest 2009

 

 

Arthuriana Volume 23, Number 1, Spring 2013

The XXIIIrd meeting of the International Arthurian Society—organized by Elizabeth Archibald and Ad Putter—took place in Bristol, England in July 2011. Over the course of a week, hundreds of participants presented papers, attended sessions, enjoyed excursions to Arthurian sites, and connected with scholars and colleagues from all over the world.

At the suggestion of the editors of Arthurian Literature (Elizabeth Archibald and David Johnson) it was decided that Arthuriana and Arthurian Literature should join forces and publish the best of the papers presented at the conference. This issue of Arthuriana marks the culmination of over a year of collaborative work on the part of the editors of the respective journals. This year, the annual Arthurian Literature will feature articles that originated as papers presented at the conference, and all four issues of the quarterly Arthuriana will do the same. In other words, for both publications the year 2013 will be ‘the best of Bristol.’

This first of the four special issues of Arthuriana features articles that are concerned in some way with eco-criticism, the natural world, landscapes, and geography.

THE ARTICLES:

Arthur Pendragon, Eco-Warrior
By Laurie A. Finke, Martin B. Shichtman

This essay explores the environmental agendas and ambitions that motivate John Timothy Rothwell, ‘a mad biker chieftain wielding an axe,’ who, claiming to be a ‘post-Thatcher’ King Arthur, changes his name and links his political struggles against the state to myths that mourn the lost original purity of ancient Britain. This article looks backward to authoritarian values his ecocriticism should interrogate.
Arthuriana 23.1 (2013): 5 – 19
DOI: 10.1353/art.2013.0010

The Eco-Tourist, English Heritage, and Arthurian Legend: Walking with Thoreau
By Kathleen Coyne Kelly

This article examines natural sites connected to Arthurian legend in the context of their construction as tourist sites and their designation as ecologically significant. Reading these sites through the works of Henry David Thoreau, it connects his strategic medievalism to a modern, nostalgic tendency to locate ‘nature’ in the past, paradoxically existing once (the vanished wilderness) and future (the restored wetland).
Arthuriana 23.1 (2013): 20 – 39
DOI: 10.1353/art.2013.0010

Reading Ruins: Arthurian Caerleon and the Untimely Architecture of History
By Robert Rouse

This article considers the literary deployment of the ruins of Caerleon within the Itinerarium Cambriae of Gerald of Wales. In describing the city, Gerald significantly notes both its Galfridian status as an Arthurian rival to Rome and the Roman origins of the city itself. Read in the context of Gerald’s own re-reading of Geoffrey of Monmouth’s Historia, the episode reveals Gerald’s deployment of an Arthurian past and place as commentary upon the present colonial space of Wales.
Arthuriana 23.1 (2013): 40 – 51
DOI: 10.1353/art.2013.0003

‘The Wilderness of Wirral’ in Sir Gawain and the Green Knight
By Gillian Rudd

This brief discussion of Sir Gawain’s journey across the Wirral seeks to open up questions of how literature ‘thinks’ landscape, and how that might feed into eco-critical debates. It deals with lost geographies and invented ones, and touches on notions of the otherworld as underpinning our responses to this one.
Arthuriana 23.1 (2013): 52 – 65
DOI: 10.1353/art.2013.0005

Volume 23, Number 1, Spring 2013

 

Medieval Power Struggle

Gardiner-Musto

The Medieval Academy of America torn in a new power  struggle

Last week The Medieval Academy of America announced that co-executive directors, Eileen Gardiner and Ron Musto have resigned, effective immediately. Richard W. Unger, president of the Academy, who made the announcement, called it regrettable. In an e-mail statement to Inside Higher Ed the two ex-directors said “they left because the board of the Academy was changing procedures to minimize the power of the staff members, who led the daily operations of the Academy, and forcing them to spend excessive time responding to “oversight” from board members.”

As far as can be gleaned from twitters and comments in blogs, observers are of the opinion that the fall-out is a reflection upon the many changes, which have taken place in the last two years, where Gardiner and Musto have worked to renew the internet-presence and the publications strategy of the Academy. So far no real explanation has been forthcoming.

However, it is a remarkable fact that a new survey on Medievalists and the Scholarly Digital Edition which was presented at the recent annual meeting in Knoxville, shows that about 50% of medievalists in 2011 still preferred to read at least some of their journals in print, while none professed to prefer exclusively to use scholarly editions in electronic form. Although the survey was done before the advent of the ipad and the other tablets on the market, it is an astounding fact that medievalists seem to be somewhat averse to electronic publishing.

In view of this it may seem a safe bet that the board might have felt inclined to reign in a future strategy whereby the Academy might move to render the established publishing houses obsolete in a situation where the new directives concerning open-access are calling for new business models. With more than 4000 members worldwide, one of the Academy’s assets is its ability to foster genuinely anonymous peer-reviews at a grand scale while at the same time turn itself into a proper medieval publishing house paid for by the money, which scholars in the future are expected to put down the publication of their work. A business model which the current publishers as opposed to a not-for-profit association cannot follow since they are in the business of making money. At the annual meeting several announcements were made, which points in this direction,  amongst these a revival of the Speculum Books Series and a possibility to discontinue reading Speculum in Print.

Gardiner and Musto have worked in various aspects of the book trade since 1967 and cofounded Italica Press in 1985. They have individually and jointly authored and edited numerous books, articles, reviews, and websites, with a concentration on medieval studies and e-publishing. They have most recently been working together on the book, The Digital Humanities: A Primer for Scholars and Studies, to be published by Cambridge University Press. However, both are also acclaimed medievalists.

Earthly Bread and Heavenly Food

Corpus-Cristi-Cologne

Earthly Bread and Heavenly Food…
Cabinet exhibition on the occasion of the Eucharistic Congress in Cologne.

The Catholic Church venerates the consecrated host as a symbol of the presence of Christ resurrected. In the Middle Ages Cologne was among the first cities in which on the feast day of Corpus Christi the body of Christ was carried through the city in a procession. For this occasion splendid monstrances were created, one of which is at the heart of this exhibition. Paintings and prints from Cologne from the Middle Ages to the modern era illustrate the veneration of the consecrated host through the ages. Today, as in the past, the celebration of the First Communion is at the centre of Eucharistic devotion.

Earthly Bread and Heavenly Food
Kölnisches Stadtmuseum
18.05.2013 –30.06.2013

 

Silk not Sin

silk-not-sin-mass-garments-köln

Silk not Sin – Ceremonial Garments for the Preparation of the Holy Mass.

In the Middle Ages great attention was paid to the preparation of the celebration of mass. By the ritual laying on of clerical vestments accompanied by vesting prayers, priests and bishops completed a transition from the secular to the sacred. Beginning with precious undergarments – these rare items will again be on display for the first time since 1985 at Museum Schnütgen – the exhibition follows the cleric step by step in the solemn preparatory ceremony up to the combing of the hair and washing of the hands. Precious treasures of ecclesiastical textile art including an undergarment from the 14th century and the medieval vestments from the church of St Andreas are presented together with liturgical objects such as the famous ivory comb of St Heribert.


Museum Schnütgen, Köln

23.05.2013 – 24.08.2014

Charlemagne and Switzerland

Codex Fabariensis - Stiftsarchiv St-Gallen

Charlemagne influenced a great deal in Europe. The changes and innovations brought about by him in many areas shaped the foundations of our culture. The 28th January 2014 marks the 1200th anniversary of the death of Charlemagne. On this occasion the Swiss National Museum will be devoting a large temporary exhibition to Charlemagne (741 – 814) and “Carolingian Switzerland”. The Exhibition will show what changed under Charlemagne, what effect his reforms had on education, faith and society and which innovations were made in art and architecture. Embedded in the European Context, the emphasis will be placed on Switzerland’s cultural heritage from Charlemagne’s time. The time frame will cover his reign of 771 – 814 through to the treaty of Verdun 843. Some topic areas will also take a look at the Merovingian period and the late 9th century. The exhibition is being prepared in close collaboration with the simultaneously planned book project “Die Zeit Karls des Grossen in der Schweiz” under the leadership of prof. Dr. Georges Descoudres, Dr. Jürg Goll and dr. Markus Riek.  Project manager is Christine Keller.

Charlemagne and Switzerland
20.09.2013 – 02.02.2014
National Museum Zurich